This recently re-discovered transcript by an anonymous German noble could fill an important gap in the documentation of German fencing approaches between Paschen and Schmidt.
Under the sponsorship of the new Administration, we’re preparing a limited release of the manuscript.
Posted in 17th Century, 18th Century, Duel, fencing, fencing art, HEMA, Images, quarterstaff, rapier, smallsword, Sword Fighting, Transcriptions
Tagged alchemy, Fechtmanuskript, fencing manuscript, german swordplay, German thrust fencing, kreussler, smallsword fencing
Granted, it’s been a while since I’ve made it to a Historical Sword-Fighting event…
This time around, I have no excuse not to go: Victor Markland has organized what is shaping up to be a great event right down the road from my club… Continue reading
Maybe Cousin Manderup was “in his spot”. Maybe it was Fermat’s Next-to-Last Theorem proving that 2 + 2 = 5 ? Fact is that a squabble among freshman nerds at the theology professor’s house ended in an ugly injury that made one of the geeks almost as famous for his rhinoplasty as for his scientific discoveries… Continue reading
The German novelist and poet Wilhelm Hauff (1802—1827) is more famous for his fairy tales than for his novels. Unreasonably so, because his Memoiren des Satan alone are better written and more enjoyable than all the semi-competent writage they throw at German literature students in college these days.
Hauff studied philosophy and theology at Tübingen. In 1826, he wrote Mitteilungen aus den Memoiren des Satan (Memoirs of Beelzebub), in which he works in some of the fencing activities of his brother, a member of the Tübinger Burschenschaft.
For the connoisseur of Gedecktes Hiebfechten, this is a rare monument of armament and strategy of the early Mensur… Continue reading
Posted in 19th Century, Duel, fencing, Library, Schläger
Tagged Biedermeier Mensur, memoiren des satan, memoirs of satan, mensur, Schläger, tübingen mensur, wilhelm hauff
Despite their distinct dislike for things Catholic and South European, Elizabethans were suckers for Italian fencing techniques and concepts of honor and dueling.
Some of the most prominent figures of the cultural elite of the period engaged in Italian-style swordplay. Among them was the poet Christopher Marlowe, whom we’re catching on an Indian summer afternoon on the outskirts of London, sword in hand, and ready to engage in moderate mayhem… Continue reading